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And even though that sounds like it would be the worst thing in the world, it worked.Ĭollide with the Sky basically repeats the formula (thank god), so if you liked that album you should be pleased. Selfish Machines, their excellent sophomore offering, basically sounded like Coheed and Carlos Santana got together to cover their favorite tracks from Three Cheers…, Sing the Sorrow, and In Love and Death, and then sped up whatever they recorded 150%. What I like about Pierce the Veil is that they do the same thing, only they do it with a high-pitched vocalist, and instead of using just punk rock, they draw from a mix of 'sing-scream' subgenres. "Violent, Dangerous Pop" is how MCR framed their music in an effort to avoid being mislabeled "emo," and that's the umbrella that I think works best here. When MCR, The Used, and AFI found their greatest commercial successes, they took easily-digestible melodic punk rock, cleaned up the production, and set the songs to horror movies. I still like most of the stuff that I would have been into ten years ago, only now I really can't be bothered to try and talk about why (so good luck with this review, jackasses!). The answer is probably yes, but fuck it if that matters. And then there's me, standing there in the middle of it all, with Collide With the Sky in my headphones, wondering ‘am I too old to dig this?' The black sheep have started to shave their heads unevenly and mixing electronic elements into what they're calling "post-hardcore," but for the most part, they're basically still just hanging out, going to shows, listening to jams. Normal sheep have all shaved their pelts and gotten jobs. Not much has changed in the last seven or eight years. Whatever intrinsic contradictions I picked up on didn't really factor into what made my foot tap back in high school, but I would still never like buy a T-shirt with one of these bands on it or put their lyrics in my AIM profile, for fear that I'd end up having to bs a defense for their theatrics. I figured out that the false-punk ethos was sorta my bag a long time ago-ever since I began to fashion myself rather fly for a white guy.
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Only, for some reason, it didn't bother me. I saw grown men in makeup on the MTV or Fuse, adored by a crowd of neckbeards and stupid haircuts. When it came down to it, I could smell the very same bullshit back then.
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The specific aspect that gives pause is that dramatic performers that catch fire with young crowds face an instinctive apprehension from listeners who consider themselves seasoned or more discerning-a race to sniff out the bullshit and then post some snark about it. When I talk about bands like My Chemical Romance, The Used, and AFI (recent stuff, post- Sing the Sorrow), it's difficult to explain (or even articulate) their appeal to non-fans, despite the fact that-and let me be very clear about this-they're bands I like a lot. In the fall of 2006, they switched their name to Pierce the Veil, which was the name of a track on the previous Before Today album, and brought on board bassist Jaime Preciado and guitarist Tony Perry.Review Summary: Don't think you're more than this, or above all this, with your "blah blah blah" and all your friends. In time, Tancil and Ballatore quit the band, leaving Victor and Mike to start over and rebuild. Before Today played as a unit for several years, and after signing to Equal Vision Records, released the album A Celebration of an Ending in September 2004. The two formed the group in December of 1998, and it was soon turned into a quintet by guitarist Joe Tancil and bassist Mitchell Ballatore. They first started playing together as the band Before Today while students in high school. The heart of San Diego emo-inflected post-hardcore outfit Pierce the Veil lies in two brothers, vocalist/guitarist Vic Fuentes and drummer Mike Fuentes.